The Anarchy of the Imagination: Interviews, Essays, Notes Rainer Werner Fassbinder

ISBN: 9780801843693

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Paperback

280 pages


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The Anarchy of the Imagination: Interviews, Essays, Notes  by  Rainer Werner Fassbinder

The Anarchy of the Imagination: Interviews, Essays, Notes by Rainer Werner Fassbinder
| Paperback | PDF, EPUB, FB2, DjVu, AUDIO, mp3, ZIP | 280 pages | ISBN: 9780801843693 | 4.68 Mb

In Rainer Werner Fassbinders A Year of Thirteen Moons, the camera watches the prostitute Red Zora as she watches Fassbinder in a television interview. The actress is Ingrid Caven, the directors former wife and the woman with whom he claims to haveMoreIn Rainer Werner Fassbinders A Year of Thirteen Moons, the camera watches the prostitute Red Zora as she watches Fassbinder in a television interview. The actress is Ingrid Caven, the directors former wife and the woman with whom he claims to have his most important elective affinity.

At once provocative and revealing, the scene illustrates Fassbinders interest in blurring the boundaries between art and life, between fiction and autobiography. His public comments - like his films and plays - were occasions for aesthetic experimentation rich in irony and drama.

The Anarchy of the Imagination collects Fassbinders most important interviews, essays, and working notes - nearly all presented here for the first time in English. They are an indispensable record of the self-understanding and self-stylization of this major artist, one of the most influential cultural figures to emerge from postwar Germany.

Fassbinders essays and other writings commanded a degree of public attention rarely achieved by film makers in the United States. His articles appeared in major newspapers such as the Frankfurter Rundschau and Die Zeit, where they both influenced the cultural scene and intervened in the acrimonious debates on terrorism and anti-Semitism that swept West Germany in the late 1970s and early 1980s. Whether Fassbinder is reflecting on his own work or writing about fellow film makers, whether he is describing his discovery of actress Hanna Schygulla or speaking out in favor of political film making, his perspective is radical, subjective, and challenging.

The writings in this volume are not only about films, but about love, longing, dependency, repressed wishes, and dreams. They are an essential part of Fassbinders legacy, the remarkable body of work in which present-day German reality finds brilliant expression.



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